William Shakespeare (1564 -1616). The Oxford Shakespeare. 1914.
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Hamlet, Prince of Denmark

Act II. Scene II.

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A Room in the Castle.
Enter KING, QUEEN, ROSENCRANTZ, GUILDENSTERN, and Attendants.
  King Welcome, dear Rosencrantz and Guildenstern!
4   Moreover that we much did long to see you,
    The need we have to use you did provoke
    Our hasty sending. Something have you heard
    Of Hamlet’s transformation; so I call it,
8   Since nor the exterior nor the inward man
    Resembles that it was. What it should be
    More than his father’s death, that thus hath put him
    So much from the understanding of himself,
12   I cannot dream of: I entreat you both,
    That, being of so young days brought up with him,
    And since so neighbour’d to his youth and humour,
    That you vouchsafe your rest here in our court
16   Some little time; so by your companies
    To draw him on to pleasures, and to gather,
    So much as from occasion you may glean,
    Whe’r aught to us unknown afflicts him thus,
20   That, open’d, lies within our remedy.
  Queen Good gentlemen, he hath much talk’d of you;
    And sure I am two men there are not living
    To whom he more adheres. If it will please you
24   To show us so much gentry and good will
  As to expend your time with us awhile,
back to top   For the supply and profit of our hope,
    Your visitation shall receive such thanks
28   As fits a king’s remembrance.
  Rosencrantz Both your majesties
    Might, by the sovereign power you have of us,
    Put your dread pleasures more into command
32   Than to entreaty.
  Guildenstern But we both obey,
    And here give up ourselves, in the full bent,
    To lay our service freely at your feet,
36   To be commanded.
  King Thanks, Rosencrantz and gentle Guildenstern.
  Queen Thanks, Guildenstern and gentle Rosencrantz;
    And I beseech you instantly to visit
40   My too much changed son. Go, some of you,
    And bring these gentlemen where Hamlet is.
  Guildenstern Heavens make our presence, and our practices
    Pleasant and helpful to him!
44 Queen Ay, amen! [Exeunt ROSENCRANTZ, GUILDENSTERN, and some Attendants.]
  Enter POLONIUS.
  Polonius The ambassadors from Norway, my good lord,
    Are joyfully return’d.
48 King Thou still hast been the father of good news.
  Polonius Have I, my lord? Assure you, my good liege,
back to top   I hold my duty, as I hold my soul,
    Both to my God and to my gracious king;
52   And I do think—or else this brain of mine
    Hunts not the trail of policy so sure
    As it hath us’d to do—that I have found
    The very cause of Hamlet’s lunacy.
56 King O! speak of that; that do I long to hear.
  Polonius Give first admittance to the ambassadors;
    My news shall be the fruit to that great feast.
King Thyself do grace to them, and bring them in. [Exit POLONIUS.]
60   He tells me, my sweet queen, that he hath found
    The head and source of all your son’s distemper.
  Queen I doubt it is no other but the main;
    His father’s death, and our o’erhasty marriage.
64 King Well, we shall sift him.
    Re-Enter POLONIUS, with VOLTIMAND and CORNELIUS.
    Welcome, my good friends!
    Say, Voltimand, what from our brother Norway?
68 Voltimand Most fair return of greetings, and desires.
    Upon our first, he sent out to suppress
    His nephew’s levies, which to him appear’d
    To be a preparation ’gainst the Polack;
72   But, better look’d into, he truly found
    It was against your highness: whereat griev’d,
    That so his sickness, age, and impotence
back to top   Was falsely borne in hand, sends out arrests
76   On Fortinbras; which he, in brief, obeys,
    Receives rebuke from Norway, and, in fine,
    Makes vow before his uncle never more
    To give the assay of arms against your majesty.
80   Whereon old Norway, overcome with joy,
    Gives him three thousand crowns in annual fee,
    And his commission to employ those soldiers,
    So levied as before, against the Polack;
84   With an entreaty, herein further shown, [Giving a paper.]
    That it might please you to give quiet pass
    Through your dominions for this enterprise,
    On such regards of safety and allowance
88   As therein are set down.
King It likes us well;
    And at our more consider’d time we’ll read,
    Answer, and think upon this business:
92   Meantime we thank you for your well-took labour.
    Go to your rest; at night we’ll feast together:
    Most welcome home. [Exeunt VOLTIMAND and CORNELIUS.]
  Polonius This business is well ended.
96   My liege, and madam, to expostulate
    What majesty should be, what duty is,
    Why day is day, night night, and time is time,
    Were nothing but to waste night, day, and time.
100   Therefore, since brevity is the soul of wit,
    And tediousness the limbs and outward flourishes,
back to top I will be brief. Your noble son is mad:
    Mad call I it; for, to define true madness,
104   What is’t but to be nothing else but mad?
    But let that go.
  Queen More matter, with less art.
  Polonius Madam, I swear I use no art at all.
108   That he is mad, ’tis true; ’tis true ’tis pity;
    And pity ’tis ’tis true: a foolish figure;
    But farewell it, for I will use no art.
    Mad let us grant him, then; and now remains
112   That we find out the cause of this effect,
    Or rather say, the cause of this defect,
    For this effect defective comes by cause;
    Thus it remains, and the remainder thus.
116   Perpend.
    I have a daughter, have while she is mine;
    Who, in her duty and obedience, mark,
    Hath given me this: now, gather, and surmise.
120   To the celestial, and my soul’s idol, the most beautified Ophelia.—
    That’s an ill phrase, a vile phrase; ‘beautified’ is a vile phrase; but you shall hear. Thus:
    In her excellent white bosom, these, &c.—
  Queen Came this from Hamlet to her?
124 Polonius Good madam, stay awhile; I will be faithful.
  Doubt thou the stars are fire;
back to top   Doubt that the sun doth move;
    Doubt truth to be a liar;
128   But never doubt I love.
    O dear Ophelia! I am ill at these numbers:
    I have not art to reckon my groans; but that I love thee best, O most best! believe it. Adieu.
    Thine evermore, most dear lady, whilst this machine is to him, HAMLET.
132   This in obedience hath my daughter shown me;
    And more above, hath his solicitings,
    As they fell out by time, by means, and place,
    All given to mine ear.
136 King But how hath she
    Receiv’d his love?
  Polonius What do you think of me?
  King As of a man faithful and honourable.
140 Polonius I would fain prove so. But what might you think,
    When I had seen this hot love on the wing,—
    As I perceiv’d it, I must tell you that,
    Before my daughter told me,—what might you,
144   Or my dear majesty, your queen here, think,
    If I had play’d the desk or table-book,
    Or given my heart a winking, mute and dumb,
    Or look’d upon this love with idle sight;
148   What might you think? No, I went round to work,
    And my young mistress thus I did bespeak:
  ‘Lord Hamlet is a prince, out of thy star;
back to top   This must not be:’ and then I precepts gave her,
152   That she should lock herself from his resort,
    Admit no messengers, receive no tokens.
    Which done, she took the fruits of my advice;
    And he, repulsed,—a short tale to make,—
156   Fell into a sadness, then into a fast,
    Thence to a watch, thence into a weakness,
    Thence to a lightness; and by this declension
    Into the madness wherein now he raves,
160   And all we wail for.
  King Do you think ’tis this?
  Queen It may be, very likely.
  Polonius Hath there been such a time,—I’d fain know that,—
164   That I have positively said, ‘’Tis so,’
    When it prov’d otherwise?
  King Not that I know.
  Polonius Take this from this, if this be otherwise: [Pointing to his head and shoulder.]
168   If circumstances lead me, I will find
    Where truth is hid, though it were hid indeed
    Within the centre.
  King How may we try it further?
172 Polonius You know sometimes he walks four hours together
    Here in the lobby.
  Queen So he does indeed.
back to top Polonius At such a time I’ll loose my daughter to him;
176   Be you and I behind an arras then;
    Mark the encounter; if he love her not,
    And be not from his reason fallen thereon,
    Let me be no assistant for a state,
180   But keep a farm, and carters.
  King We will try it.
  Queen But look, where sadly the poor wretch comes reading.
  Polonius Away! I do beseech you, both away.
184   I’ll board him presently. [Exeunt KING, QUEEN, and Attendants.]
    Enter HAMLET, reading.
    O! give me leave.
    How does my good Lord Hamlet?
188 Hamlet Well, God a-mercy.
  Polonius Do you know me, my lord?
  Hamlet Excellent well; you are a fishmonger.
  Polonius Not I, my lord.
192 Hamlet Then I would you were so honest a man.
  Polonius Honest, my lord!
back to top Hamlet Ay, sir; to be honest, as this world goes, is to be one man picked out of ten thousand.
  Polonius That’s very true, my lord.
196 Hamlet For if the sun breed maggots in a dead dog, being a good kissing carrion,—Have you a daughter?
  Polonius I have, my lord.
  Hamlet Let her not walk i’ the sun: conception is a blessing; but not as your daughter may conceive. Friend, look to ’t.
  Polonius [Aside.] How say you by that? Still harping on my daughter: yet he knew me not at first; he said I was a fishmonger: he is far gone, far gone: and truly in my youth I suffered much extremity for love; very near this. I’ll speak to him again. What do you read, my lord?
200 Hamlet Words, words, words.
back to top Polonius What is the matter, my lord?
  Hamlet Between who?
  Polonius I mean the matter that you read, my lord.
204 Hamlet Slanders, sir: for the satirical rogue says here that old men have grey beards, that their faces are wrinkled, their eyes purging thick amber and plum-tree gum, and that they have a plentiful lack of wit, together with most weak hams: all which, sir, though I most powerfully and potently believe, yet I hold it not honesty to have it thus set down; for you yourself, sir, should be old as I am, if, like a crab, you could go backward.
  Polonius [Aside.] Though this be madness, yet there is method in’t. Will you walk out of the air, my lord?
  Hamlet Into my grave?
  Polonius Indeed, that is out o’ the air. [Aside.] How pregnant sometimes his replies are! a happiness that often madness hits on, which reason and sanity could not so prosperously be delivered of. I will leave him, and suddenly contrive the means of meeting between him and my daughter. My honourable lord, I will most humbly take my leave of you.
208 Hamlet You cannot, sir, take from me any thing that I will more willingly part withal; except my life, except my life, except my life.
  Polonius Fare you well, my lord. [Going.]
Hamlet These tedious old fools!
    Enter ROSENCRANTZ and GUILDENSTERN.
212   POLONIUSYou go to seek the Lord Hamlet; there he is.
back to top   ROSENCRANTZ [To POLONIUS.] God save you, sir! [Exit POLONIUS.]
  Guildenstern Mine honoured lord!
  Rosencrantz My most dear lord!
216 Hamlet My excellent good friends! How dost thou, Guildenstern? Ah, Rosencrantz! Good lads, how do ye both?
  Rosencrantz As the indifferent children of the earth.
  Guildenstern Happy in that we are not over happy;
  On Fortune’s cap we are not the very button.
220 Hamlet Nor the soles of her shoe?
  Rosencrantz Neither, my lord.
  Hamlet Then you live about her waist, or in the middle of her favours?
  Guildenstern Faith, her privates we.
224 Hamlet In the secret parts of Fortune? O! most true; she is a strumpet. What news?
Rosencrantz None, my lord, but that the world’s grown honest.
Hamlet Then is doomsday near; but your news is not true. Let me question more in particular: what have you, my good friends, deserved at the hands of Fortune, that she sends you to prison hither?
Guildenstern Prison, my lord!
228 Hamlet Denmark’s a prison.
  Rosencrantz Then is the world one.
back to top Hamlet A goodly one; in which there are many confines, wards, and dungeons, Denmark being one o’ the worst.
  Rosencrantz We think not so, my lord.
232 Hamlet Why, then, ’tis none to you; for there is nothing either good or bad, but thinking makes it so: to me it is a prison.
  Rosencrantz Why, then your ambition makes it one; ’tis too narrow for your mind.
  Hamlet O God! I could be bounded in a nutshell, and count myself a king of infinite space, were it not that I have bad dreams.
  Guildenstern Which dreams, indeed, are ambition, for the very substance of the ambitious is merely the shadow of a dream.
236 Hamlet A dream itself is but a shadow.
  Rosencrantz Truly, and I hold ambition of so airy and light a quality that it is but a shadow’s shadow.
  Hamlet Then are our beggars bodies, and our monarchs and outstretched heroes the beggars’ shadows. Shall we to the court? for, by my fay, I cannot reason.
  Rosencrantz& Guildenstern We’ll wait upon you.
240 Hamlet No such matter; I will not sort you with the rest of my servants, for, to speak to you like an honest man, I am most dreadfully attended. But, in the beaten way of friendship, what make you at Elsinore?
  Rosencrantz To visit you, my lord; no other occasion.
back to top Hamlet Beggar that I am, I am even poor in thanks; but I thank you: and sure, dear friends, my thanks are too dear a halfpenny. Were you not sent for? Is it your own inclining? Is it a free visitation? Come, come, deal justly with me: come, come; nay, speak.
  Guildenstern What should we say, my lord?
244 Hamlet Why anything, but to the purpose. You were sent for; and there is a kind of confession in your looks which your modesties have not craft enough to colour: I know the good king and queen have sent for you.
  Rosencrantz To what end, my lord?
  Hamlet That you must teach me. But let me conjure you, by the rights of our fellowship, by the consonancy of our youth, by the obligation of our ever-preserved love, and by what more dear a better proposer could charge you withal, be even and direct with me, whether you were sent for or no!
  Rosencrantz [Aside to GUILDENSTERN.] What say you?
248 Hamlet [Aside.] Nay, then, I have an eye of you. If you love me, hold not off.
  Guildenstern My lord, we were sent for.
Hamlet I will tell you why; so shall my anticipation prevent your discovery, and your secrecy to the king and queen moult no feather. I have of late,—but wherefore I know not,—lost all my mirth, forgone all custom of exercises; and indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory; this most excellent canopy, the air, look you, this brave o’erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me but a foul and pestilent congregation of vapours. What a piece of work is a man! How noble in reason! how infinite in faculty! in form, in moving, how express and admirable! in action how like an angel! in apprehension how like a god! the beauty of the world! the paragon of animals! And yet, to me, what is this quintessence of dust? man delights not me; no, nor woman neither, though, by your smiling, you seem to say so.
  Rosencrantz My lord, there was no such stuff in my thoughts.
252 Hamlet Why did you laugh then, when I said, ‘man delights not me?’
back to top Rosencrantz To think, my lord, if you delight not in man, what lenten entertainment the players shall receive from you: we coted them on the way; and hither are they coming, to offer you service.
  Hamlet He that plays the king shall be welcome; his majesty shall have tribute of me; the adventurous knight shall use his foil and target; the lover shall not sigh gratis; the humorous man shall end his part in peace; the clown shall make those laugh whose lungs are tickle o’ the sere; and the lady shall say her mind freely, or the blank verse shall halt for’t. What players are they?
  Rosencrantz Even those you were wont to take delight in, tragedians of the city.
256 Hamlet How chances it they travel? their residence, both in reputation and profit, was better both ways.
  Rosencrantz I think their inhibition comes by the means of the late innovation.
  Hamlet Do they hold the same estimation they did when I was in the city? Are they so followed?
  Rosencrantz No, indeed they are not.
260 Hamlet How comes it? Do they grow rusty?
back to top
Rosencrantz Nay, their endeavour keeps in the wonted pace: but there is, sir, an aery of children, little eyases, that cry out on the top of question, and are most tyrannically clapped for’t: these are now the fashion, and so berattle the common stages,—so they call them,—that many wearing rapiers are afraid of goose-quills, and dare scarce come thither.
  Hamlet What! are they children? who maintains ’em? how are they escoted? Will they pursue the quality no longer than they can sing? will they not say afterwards, if they should grow themselves to common players,—as it is most like, if their means are no better,—their writers do them wrong, to make them exclaim against their own succession?
Rosencrantz Faith, there has been much to-do on both sides: and the nation holds it no sin to tarre them to controversy: there was, for a while, no money bid for argument, unless the poet and the player went to cuffs in the question.
264 Hamlet Is it possible?
  Guildenstern O! there has been much throwing about of brains.
  Hamlet Do the boys carry it away?
  Rosencrantz Ay, that they do, my lord; Hercules and his load too.
268 Hamlet It is not very strange; for my uncle is King of Denmark, and those that would make mows at him while my father lived, give twenty, forty, fifty, a hundred ducats a-piece for his picture in little. ’Sblood, there is something in this more than natural, if philosophy could find it out. [Flourish of trumpets within.
  Guildenstern There are the players.
back to top Hamlet Gentlemen, you are welcome to Elsinore. Your hands, come then; the appurtenance of welcome is fashion and ceremony: let me comply with you in this garb, lest my extent to the players—which, I tell you, must show fairly outward—should more appear like entertainment than yours. You are welcome; but my uncle-father and aunt-mother are deceived.
  Guildenstern In what, my dear lord?
272 Hamlet I am but mad north-north-west: when the wind is southerly I know a hawk from a handsaw.
    Enter POLONIUS.
  Polonius Well be with you, gentlemen!
Hamlet Hark you, Guildenstern; and you too; at each ear a hearer: that great baby you see there is not yet out of his swaddling-clouts.
276 Rosencrantz Happily he’s the second time come to them; for they say an old man is twice a child.
  Hamlet I will prophesy he comes to tell me of the players; mark it. You say right, sir; o’ Monday morning; ’twas so indeed.
  Polonius My lord, I have news to tell you.
  Hamlet My lord, I have news to tell you. When Roscius was an actor in Rome,—
280 Polonius The actors are come hither, my lord.
  Hamlet Buzz, buzz!
  Polonius Upon my honour,—
  Hamlet Then came each actor on his ass,—
284 Polonius The best actors in the world, either for tragedy, comedy, history, pastoral, pastoral-comical, historical-pastoral, tragical-historical, tragical-comical-historical-pastoral, scene individable, or poem unlimited: Seneca cannot be too heavy, nor Plautus too light. For the law of writ and the liberty, these are the only men.
back to top Hamlet O Jephthah, judge of Israel, what a treasure hadst thou!
  Polonius What a treasure had he, my lord?
  Hamlet
Why
288   One fair daughter and no more,
    The which he loved passing well.
  Polonius [Aside.] Still on my daughter.
  Hamlet Am I not i’ the right, old Jephthah?
292 Polonius If you call me Jephthah, my lord, I have a daughter that I love passing well.
  Hamlet Nay, that follows not.
  Polonius What follows, then, my lord?
  Hamlet Why,
296   As by lot, God wot.
    And then, you know,
    It came to pass, as most like it was.—
    The first row of the pious chanson will show you more; for look where my abridgment comes.
300   [Enter four or five Players.]
back to top   You are welcome, masters; welcome, all. I am glad to see thee well: welcome, good friends. O, my old friend! Thy face is valanced since I saw thee last: comest thou to beard me in Denmark? What! my young lady and mistress! By ’r lady, your ladyship is nearer heaven than when I saw you last, by the altitude of a chopine. Pray God, your voice, like a piece of uncurrent gold, be not cracked within the ring. Masters, you are all welcome. We’ll e’en to’t like French falconers, fly at anything we see: we’ll have a speech straight. Come, give us a taste of your quality; come, a passionate speech.
  First Player What speech, my good lord?
  Hamlet I heard thee speak me a speech once, but it was never acted; or, if it was, not above once; for the play, I remember, pleased not the million; ’twas caviare to the general: but it was—as I received it, and others, whose judgments in such matters cried in the top of mine—an excellent play, well digested in the scenes, set down with as much modesty as cunning. I remember one said there were no sallets in the lines to make the matter savoury, nor no matter in the phrase that might indict the author of affectation; but called it an honest method, as wholesome as sweet, and by very much more handsome than fine. One speech in it I chiefly loved; ’twas Æneas’ tale to Dido; and thereabout of it especially, where he speaks of Priam’s slaughter. If it live in your memory, begin at this line: let me see, let me see:—
304  

The rugged Pyrrhus, like the Hyrcanian beast,—

    ’tis not so, it begins with Pyrrhus:—
   

The rugged Pyrrhus, he, whose sable arm,

   

Black as his purpose, did the night resemble

308  

When he lay couched in the ominous horse,

   

Hath now this dread and black complexion smear’d

back to top  

With heraldry more dismal; head to foot

   

Now is he total gules; horridly trick’d

312  

With blood of fathers, mothers, daughters, sons,

    Bak’d and impasted with the parching streets,
    That lend a tyrannous and damned light
    To their vile murders: roasted in wrath and fire,
316   And thus o’er-sized with coagulate gore,
    With eyes like carbuncles, the hellish Pyrrhus
    Old grandsire Priam seeks.
    So proceed you.
320 Polonius ’Fore God, my lord, well spoken; with good accent and good discretion.
  First Player Anon, he finds him
    Striking too short at Greeks; his antique sword,
    Rebellious to his arm, lies where it falls,
324   Repugnant to command. Unequal match’d,
  Pyrrhus at Priam drives; in rage strikes wide;
    But with the whiff and wind of his fell sword
    The unnerved father falls. Then senseless Ilium,
328   Seeming to feel this blow, with flaming top
    Stoops to his base, and with a hideous crash
back to top   Takes prisoner Pyrrhus’ ear: for lo! his sword,
    Which was declining on the milky head
332   Of reverend Priam, seem’d i’ the air to stick:
    So, as a painted tyrant, Pyrrhus stood,
    And like a neutral to his will and matter,
    Did nothing.
336   But, as we often see, against some storm,
    A silence in the heavens, the rack stand still,
    The bold winds speechless and the orb below
    As hush as death, anon the dreadful thunder
340   Doth rend the region; so, after Pyrrhus’ pause,
    Aroused vengeance sets him new a-work;
    And never did the Cyclops’ hammers fall
    On Mars’s armour, forg’d for proof eterne,
344   With less remorse than Pyrrhus’ bleeding sword
    Now falls on Priam.
back to top   Out, out, thou strumpet, Fortune! All you gods,
    In general synod, take away her power;
348   Break all the spokes and fellies from her wheel,
    And bowl the round nave down the hill of heaven,
  As low as to the fiends!
  Polonius This is too long.
352 Hamlet It shall to the barber’s, with your beard. Prithee, say on: he ’s for a jig or a tale of bawdry, or he sleeps. Say on; come to Hecuba.
  First Player But who, O! who had seen the mobled queen—
  Hamlet ‘The mobled queen?’—
  Polonius That’s good; ‘mobled queen’ is good.
356 First Player Run barefoot up and down, threat’ning the flames
    With bisson rheum; a clout upon that head
    Where late the diadem stood; and, for a robe,
    About her lank and all o’er-teemed loins,
360   A blanket, in the alarm of fear caught up;
    Who this had seen, with tongue in venom steep’d,
back to top   ’Gainst Fortune’s state would treason have pronounc’d:
    But if the gods themselves did see her then,
364   When she saw Pyrrhus make malicious sport
    In mincing with his sword her husband’s limbs,
    The instant burst of clamour that she made—
    Unless things mortal move them not at all—
368   Would have made milch the burning eyes of heaven,
    And passion in the gods.
  Polonius Look! wh’er he has not turned his colour and has tears in’s eyes. Prithee, no more.
  Hamlet ’Tis well; I’ll have thee speak out the rest soon. Good my lord, will you see the players well bestowed? Do you hear, let them be well used; for they are the abstracts and brief chronicles of the time: after your death you were better have a bad epitaph than their ill report while you live.
372 Polonius My lord, I will use them according to their desert.
  Hamlet God’s bodikins, man, much better; use every man after his desert, and who should ’scape whipping? Use them after your own honour and dignity: the less they deserve, the more merit is in your bounty. Take them in.
  Polonius Come, sirs.
back to top Hamlet Follow him, friends: we’ll hear a play to-morrow. [Exit POLONIUS, with all the Players but the First.] Dost thou hear me, old friend; can you play the Murder of Gonzago?
376 First Player Ay, my lord.
  Hamlet We’ll ha’t to-morrow night. You could, for a need, study a speech of some dozen or sixteen lines, which I would set down and insert in’t, could you not?
  First Player Ay, my lord.
  Hamlet Very well. Follow that lord; and look you mock him not. [Exit First Player.] [To ROSENCRANTZ and GUILDENSTERN.] My good friends, I’ll leave you till night; you are welcome to Elsinore.
380 Rosencrantz Good my lord! [Exeunt ROSENCRANTZ and GUILDENSTERN.]
  Hamlet Ay, so, God be wi’ ye! Now I am alone.
    O! what a rogue and peasant slave am I:
    Is it not monstrous that this player here,
384   But in a fiction, in a dream of passion,
    Could force his soul so to his own conceit
    That from her working all his visage wann’d,
    Tears in his eyes, distraction in ’s aspect,
388   A broken voice, and his whole function suiting
    With forms to his conceit? and all for nothing!
    For Hecuba!
    What’s Hecuba to him or he to Hecuba
392   That he should weep for her? What would he do
    Had he the motive and the cue for passion
back to top   That I have? He would drown the stage with tears,
    And cleave the general ear with horrid speech,
396   Make mad the guilty and appal the free,
    Confound the ignorant, and amaze indeed
    The very faculties of eyes and ears.
    Yet I,
400   A dull and muddy-mettled rascal, peak,
    Like John-a-dreams, unpregnant of my cause,
    And can say nothing; no, not for a king,
    Upon whose property and most dear life
404   A damn’d defeat was made. Am I a coward?
    Who calls me villain? breaks my pate across?
    Plucks off my beard and blows it in my face?
    Tweaks me by the nose? gives me the lie i’ the throat,
408   As deep as to the lungs? Who does me this?
    Ha!
    Swounds, I should take it, for it cannot be
    But I am pigeon-liver’d, and lack gall
412   To make oppression bitter, or ere this
   

I should have fatted all the region kites

    With this slave’s offal. Bloody, bawdy villain!
back to top   Remorseless, treacherous, lecherous, kindless villain!
416   O! vengeance!
    Why, what an ass am I! This is most brave
    That I, the son of a dear father murder’d,
    Prompted to my revenge by heaven and hell,
420   Must, like a whore, unpack my heart with words,
    And fall a-cursing, like a very drab,
    A scullion!
    Fie upon’t! foh! About, my brain! I have heard,
424   That guilty creatures sitting at a play
  Have by the very cunning of the scene
    Been struck so to the soul that presently
    They have proclaim’d their malefactions;
428   For murder, though it have no tongue, will speak
    With most miraculous organ. I’ll have these players
    Play something like the murder of my father
   

Before mine uncle; I’ll observe his looks;

432   I’ll tent him to the quick: if he but blench
    I know my course. The spirit that I have seen
    May be the devil: and the devil hath power
    To assume a pleasing shape; yea, and perhaps
436   Out of my weakness and my melancholy—
    As he is very potent with such spirits—
    Abuses me to damn me. I’ll have grounds
  More relative than this: the play’s the thing
440 Wherein I’ll catch the conscience of the KING [Exit.]
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